“We are not, as we sometimes like to imagine, independent thinkers with our own unique & groovy style of cognition: we have in fact inherited a narrow repertoire of prefab concepts, and we find ourselves thinking as thinking things on highly ramified architectonics of ideas, and along deeply grooved paths of thought-action.” — Karen Houle
Kerry James Marshall has... +
The following article was originally published by The Seen in September, 2015.
The idea of Black Mountain College has baited my imagination since it first emerged into my experience—an accidental and auxiliary reference—from the otherwise vast sea of culture. The college came up periodically thereafter, breaching conversations as a peripheral point of reference, its significance intuited rather... +
Originally published by The Seen, July 2014.
“…Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Wombed in sin darkness I was too, made not begotten. By them, the man with my voice and my eyes and a ghostwoman with ashes on her breath. They clasped and sundered, did the coupler’s will.” — James Joyce, Ulysses, Episode Three,... +
The following article was originally published by art ltd., in March 2013.
One would never suspect that Jessica Stockholder’s ivy-covered studio was originally a barn. The one-story building on the edge of the University of Chicago’s predominantly Gothic-style campus has high ceilings inside, skylights, windows and clean white walls. While it may be a far cry from those iconic red structures... +
Kerry James Marshall’s studio stands two-stories high in the Bronzeville neighborhood, on Chicago’s South Side. From the street, it is non-descript, more like a very tall, brick garage than anything else; there are hardly any windows. It boasts a green lawn and stands near a new crop of condos; down the same street are... +