Marwa Arsanios, Still From Have You Ever Killed A Bear? Or Becoming Jamila, 2013-2014. Courtesy of the artist and Mor Charpentier, ParisWill Wilson (Diné), “Mexican Hat Disposal Cell, Navajo Nation (Connecting the Dots series),” 2020, drone-based digital photograph (triptych), ca. 44 x 110” total. Collection of the artist. From “Exposure: Native Art and Political Ecology” at the Museum of Contemporary Native Arts, Santa Fe, New Mexico.
A group exhibition at the Renaissance Society, Chicago. Co-curated with Karsten Lund and running from Sep 12-Nov 15, 2020. You can download the digital catalogue here. Nine Lives takes shape around a set of protagonists, whether real or imagined, past or present, as if this exhibition were a… +
The following article was originally published in Artforum in March 2020. Erin Louise Gould’s exhibition “All That I Have” presents three rooms of the artist’s studies of the Kentucky coffeetree, suggesting her affinity for, or perhaps metabolization of, her subject. These poem-like works include… +
This article was originally published by Hyperallergic in April 2020. LAS CRUCES, NM — The inaugural exhibition at the University Art Museum at New Mexico State University focuses on motherhood in contemporary art and the curious nuances of labor — labor in birth, labor… +
Jacquelyn Royal, “Tokyo 1” (detail), 2009, needlepoint, thread on canvas, 15 x 18”
The following review appeared in Visual Art Source in April 2020. Jacquelyn Royal’s landscape needlepoints, titled “The New Police,” center on graffiti in order to explore the authenticity of mark making and the record it leaves. Comprised of stitched panels between 15 by 18… +
