Notes On + Copy Drawings

Magalie Guérin, Copy Drawings, Installation View, Sector 2337, 2016. Photo by Clare Britt.
Magalie Guérin, Copy Drawings, Installation View, Sector 2337, 2016. Photo by Clare Britt.
Magalie Guérin, Copy Drawings, Installation View, Sector 2337, 2016. Photo by Clare Britt.
Magalie Guérin, 100 Small Copy Drawings, 2016, various medium on paper, 8.5×11” ea. Photo by Clare Britt.
Magalie Guérin, NOTES ON, Studio Journal, First Edition of 540, Edited by Caroline Picard, Book design by Sonia Yoon. Green Lantern Press, 2016. Installation View, Sector 2337, 2016. Photo by Clare Britt.
Magalie Guérin, NOTES ON, Studio Journal, First Edition of 540, Edited by Caroline Picard, Book design by Sonia Yoon. Green Lantern Press, 2016.

Working with Magalie Guérin as an editor on her a-chronological studio journal, we released the book in her solo exhibition, Copy Drawings, at Sector 2337. About the show: March 25, 2016 – May 15, 2016 / Sector 2337, Chicago. Copy Drawings was organized in conjunction with the publication… +

HYPER-PLURALITIES FOR A NEW BECOMING: THE EXHIBITED BODY IN CONTEMPORARY ART

Barkley L. Hendricks, 
Lawdy Mama, 1969
, Oil and gold leaf on canvas, 
53 3/4 x 36 1/4 in; 
The Studio Museum in Harlem, Gift of Stuart Liebman, in memory of Joseph B. Liebman, 83.25; © Barkley L. Hendricks; Photo: Courtesy of the artist and Jack Shainman Gallery, New York; Exhibited in Witness: Art and Civil Rights in the Sixties at the Blanton Museum of Art, Texa

The following article was originally published by Artslant on January 16, 2015. “The body is always a body that is an unfinished entity.” —Lisa Blackman, The Body (Key Concepts), Berg, 2008 “We have a whole history of representation in which the black body was… +