The following article was originally published by Visual Art Source in September 2021. Charlotte Jackson Fine Art, Santa Fe, New Mexico Review by Caroline Picard Max Cole’s latest exhibition of paintings and prints references, excerpts, and overlays the formal concerns associated with different periods… +
The following article was originally published by Visual Art Source in the spring of 2021. Dylan McLaughlin’s solo show, “Songs of Tempestuous Rising and Falling” combines drawing, aerial photography, text, video, and sculpture to examine the resonant effect of industry and colonialism upon the… +
The following review appeared in Visual Art Source in April 2020. Jacquelyn Royal’s landscape needlepoints, titled “The New Police,” center on graffiti in order to explore the authenticity of mark making and the record it leaves. Comprised of stitched panels between 15 by 18… +
The following article appeared in Visual Art Source in March 2020. Whether purchasing anything wrapped in plastic, taking a flight, building a petrochemical plant, or drilling in an Arctic Refuge, it’s hard to connect seemingly discrete actions in one part of the world to… +
The following review appeared in Visual Art Source in February 2020. For an exhibition that covers so much ground, “Sámi Intervention / Dáidda Gážada” is deceptively and wonderfully modest, with just three works by Carola Grahn (Sámi/Sweden) in collaboration with New Mexico Diné artist,… +