Takahiro Iwasaki, Phenotypic Remodeling (Chicago), 2017. Site-specific installation (newspaper inserts and packages), dimension variable. Installation view, Sector 2337, Chicago, 2017. Photo by Clare Britt.Takahiro Iwasaki, Out of Disorder (brush), 2017. Toothbrush, dimension variable. Photo by Clare Britt.Coming of Age, Installation view, Sector 2337, Chicago, 2017. Left: Takahiro Iwasaki, Architecture (roach motel), 2012. Cockroach trap and watch, dimension variable. Right: Takahiro Iwasaki, Out of Disorder (Navy Pier), 2017. Beach towel, dimension variable. Photo by Clare Britt.Takahiro Iwasaki, Tectonic Model, 2017. Books. Dimensions variable. Photo by Clare Britt.Coming of Age, Installation view, Sector 2337, Chicago, 2017. Photo by Clare Britt.Tsherin Sherpa, Untitled, 2017. Acrylic and ink on cotton, 44 x 45.5”. Photo by Clare Britt.Coming of Age, Installation view, Sector 2337, Chicago, 2017. Photo by Clare Britt.Aki Inomata, I Wear the Dog’s Hair and Dog Wears My Hair (detail), 2014. Cape made of dog’s hair; 11×27”. Photo by Clare Britt.Ebony G. Patterson, 10, 18, 47, 33, 28, from Invisible Presence: Bling Memories, 2014. Fabric, acrylic paint, adhesive, fabric flowers, pinus palustris, lace, rhinestones, ribbons, tassels, crochet doily, crochet tassels, fabric appliques, glitter, pearls, 119 x 24 x 12”. Photo by Clare Britt.Coming of Age, Installation view, Sector 2337, Chicago, 2017. Coming of Age, Installation view, Sector 2337, Chicago, 2017. Left (floor) Ebony G. Patterson, 10, 18, 47, 33, 28, from Invisible Presence: Bling Memories, 2014. Fabric, acrylic paint, adhesive, fabric flowers, pinus palustris, lace, rhinestones, ribbons, tassels, crochet doily, crochet tassels, fabric appliques, glitter, pearls, 119 x 24 x 12”; (middle wall): Rhonda Holberton, A FIXED RESISTANCE, 2016. Pigment Print on Wallcovering, 12.5 x 55’’; floor: A Fallen Pixel, 1 & III, 2016. Foam, Polyurea. 18 x 11 x 11.25″, 28.25 x 17 x 17.25″; Right: Essi Kausalainen, “Anette and Marin at the beach,” 2017. HD video, 7 min. Photo by Clare Britt.Photo by Clare Britt.Rhonda Holberton, A Fallen Pixel, 1 & III, 2016. Foam, Polyurea. 18 x 11 x 11.25″, 28.25 x 17 x 17.25″. Photo by Clare Britt.Coming of Age, Installation view, Sector 2337, Chicago, 2017. Left (wall): Rhonda Holberton, A FIXED RESISTANCE, 2016. Pigment Print on Wallcovering, 12.5 x 55’’; floor: A Fallen Pixel, 1 & III, 2016. Foam, Polyurea. 18 x 11 x 11.25″, 28.25 x 17 x 17.25″; Right: Essi Kausalainen, “Anette and Marin at the beach,” 2017. HD video, 7 min. Photo by Clare Britt.Essi Kausalainen, “Anette and Marin at the beach,” 2017. HD video, 7 min. Photo by Clare Britt.Aki Inomata, Why Not Hand Over a “Shelter” to hermit crabs? -Border, 2009-2016. Installation view, Sector 2337. Resin, dimensions variable. Photo by Clare Britt.Aki Inomata, Fugian from “Why Not Hand Over a “Shelter” to hermit crabs? -Border, 2016. Resin, 2.25×2.33×2.5”. Photo by Clare Britt.Rebecca Beachy, taxidermy bird w/poem inherent, 2017. Bird’s-nest mud capsule. Poem by Dan Beachy-Quick, 2014-2017. Photo by Clare Britt.Ebony G. Patterson, Excerpt from Invisible Presence: Bling Memories, 2014. In collaboration with Michelle Serioux HD Video, 9:40min. Photo by Clare Britt.Rebecca Beachy, gravel path, 2017. Amish horse cremains from Chesterhill, Ohio, dimensions variable. Installation view, Sector 2337, Chicago, 2017. Photo by Clare Britt.
Sep 09-Nov 19, 2017 at Sector 2337
Featuring Rebecca Beachy, Rhonda Holberton, Essi Kausalainen, Takahiro Iwasaki, Aki Inomata, Ebony G. Patterson, and Tsherin Sherpa
The libidinal flux of the teenager has left a permanent mark on culture, normalizing radical consumption in service of an endless will to change. With the end of earth’s resources in sight, this paradigm needs revision. Presented by The Green Lantern Press, Coming of... +
Sep 08-28, 2017 / Chicago Artist Coalition
Featuring Candida Alvarez, Jorge Méndez Blake, Robert Burnier, Julietta Cheung, Assaf Evron, Roberto Harrison, Dominika Jackuliakova, Betsy Odom, Stephen Lapthisophon, Nazafarin Lotfi, Heather Mekkelson, Matt Morris, Michael Milano, Bailey Romaine, Josh Rios + Anthony Romero, Ellen Rothenberg, Selina Trepp, Anne Wilson, and Fo Wilson.
Euclidean Geometry is based on the... +
The following article was originally published by Art21 in August, 2017.
For more than four decades, Joan Jonas’s interest in producing, emphasizing, and manipulating space and sound has remained constant in her practice. A 1972 article by Janelle Reiring in The Drama Review describes one of Jonas’s early New York performances, Delay Delay. Embedded in this review is a portrait of... +
Survey (Hyde Park Art Center, Chicago) of twenty-five artists completing the Hyde Park Art Center’s Center Program. Featuring Bambi Breakstone, Dawn Brennan, Lauren Carter, Luis DeLaTorre, Angela Dieffenbach, Carlos Flores, Nico Gardner, Silvia Gonzalez, Manal Kara, Soohyun Kim, Angela Lopez, Bobbi Meier, John Metido, Judith Mullen, Abhishek Narula, Grace Needlman, Katherine Nemanich, Connie Noyes, Yoonshin Park, Olivia Petrides, Mary Porterfield, Megan Stroech, Leonard... +
Bettina Pousttchi, Echo, 2009–2010. 970 paper posters on the facade of Temporäre Kunsthalle Berlin. 11 x 20 57 m / 36 x 66 x 187 ft. Courtesy the artist and Buchmann Galerie.
The following interview was originally published by The Seen in May, 2017.
Based in Berlin, German artist Bettina Pousttchi is known for her work in sculpture and photography, teasing out the politics of perception, particularly as it emerges through institutionalized structures—whether the exterior of a building, or the dial of a clock. Most recently,... +
