Bettina Pousttchi // The Shifting Politics Of Material Perception

05/28/2017
Bettina Pousttchi // The Shifting Politics Of Material Perception
Bettina Pousttchi, Echo, 2009–2010. 970 paper posters on the facade of Temporäre Kunsthalle Berlin. 11 x 20 57 m / 36 x 66 x 187 ft. Courtesy the artist and Buchmann Galerie.
The following interview was originally published by The Seen in May, 2017. Based in Berlin, German artist Bettina Pousttchi is known for her work in sculpture and photography, teasing out the politics of perception, particularly as it emerges through institutionalized structures—whether the exterior of a building, or the dial of a clock. Most recently,... +

Strangers Among Us

04/26/2017
Astrophil Press and Editor Duncan Barlow published a long-form version of my cat essay, The Strangers Among Us in 2017. Find it here. There was a nice write up in Cleaver Magazine that compares the text to Eileen Myles' dog memoir, Afterglow. "In two recent books, by Eileen Myles and Caroline Picard, a dog person and a cat person, respectively, confess the closeness they feel to their... +

Shadowed! + elsetime: Ellen Rothenberg

03/04/2017
Shadowed! + elsetime: Ellen Rothenberg
Ellen Rothenberg, elsetime, 2015. Installation view, Sector 2337. Photo by Clare Britt.
Shadowed! + elsetime: Ellen Rothenberg
Shadowed! spread from book. Design by Sonia Yoon. Green Lantern Press, 2016.
Shadowed! + elsetime: Ellen Rothenberg
Shadowed! spread from book. Design by Sonia Yoon. Green Lantern Press, 2016.
About the exhibition: May 9 – July 3, 2015 / Sector 2337: elsetime, a solo exhibition by Ellen Rothenberg features new work in a wide range of media from photography, performance, and installation, elsetime examines the difficulty of artistic lineage exploring history’s dislocated presence. Central to Rothenberg’s artistic retcon is the image of her walking in the study of Bertolt Brecht. Rothenberg expands from there, refracting through additionally (and personally)... +

The Brevity of Space: An Interview with Allison Glenn

12/24/2016
The Brevity of Space: An Interview with Allison Glenn
Amanda Williams, Crown Royal Purple from Color(ed) Theory, Billboard located at 1130 E 63rd Street, Chicago, June 6 – July 11, 2016, as part of In the beginning, sometimes I left messages in the street, curated by Allison Glenn.

The following interview was originally published by Art21 in December, 2016.

In the spring of 2016, Allison Glenn curated In the beginning, sometimes I left messages in the street, an exhibition that featured eleven artists and... +