A 2-page comic about collaboration and collectivity in the arts was published in the Volume 5 of Southwest Contemporary. I’ll post the full spread shortly but participants include Andrea Hanley (Wheelwright Museum, Santa Fe), Stephen Lapthisophon (artist, Dallas), Lisa LeFeuvre (Holt/Smithson Foundation, Santa Fe),… +
Left to right and foreground: Marie Alarcón, Non (Know Them), 2021, fiberglass mesh, organza, tulle, embroidery, shadows, copper pipe; Non (The World Ends), 2021, fiberglass mesh, organza, velvet, tulle, beads, embroidery, shadows, copper pipe; Unnamable (Don’t Come), 2021, plastic bags, synthetic hair, embroidery thread. Courtesy Roswell Museum.
This article was originally published by Southwest Contemporary in February 2022. Marie Alarcón: Relocations January 15-February 27, 2022 Roswell Museum, Roswell, New Mexico Reflecting upon the uncertain world of climate change and the call for environmental justice, current Roswell artist-in-residence Marie Alarcón, who uses they/them pronouns,… +
Oswaldo Maciá, Cartographies of Smell Migration, 2021, installation view at SITE Santa Fe Photo: Oswaldo Maciá. Courtesy the artist.
The following article was originally published by Southwest Contemporary. “I am an artist always on the move,” said Oswaldo Maciá days before the opening of his first exhibition in the United States, New Cartographies of Smell Migration. “My canvas is the whole planet.” We sat in the… +
The following review was originally published by Southwest Contemporary in March 2020. The gallery is partially bisected by a chain-link fence. Three pairs of children’s shoes hang on or sit near it. A few rosary necklaces and beaded bracelets are tied to the fence… +