The following article was originally published by Art21 in August, 2017. For more than four decades, Joan Jonas’s interest in producing, emphasizing, and manipulating space and sound has remained constant in her practice. A 1972 article by Janelle Reiring in The Drama Review describes one of… +
Between 2013-2022 the Anthropocene Curriculum was developed by Haus der Kulturen der Welt (HKW, Berlin) and the Max Planck Institute for the History of Science (MPIWG, Berlin), in collaboration with many partners worldwide. I had the pleasure of attending two iterations in Berlin in 2017 and New Orleans in… +
Bettina Pousttchi, Echo, 2009–2010. 970 paper posters on the facade of Temporäre Kunsthalle Berlin. 11 x 20 57 m / 36 x 66 x 187 ft. Courtesy the artist and Buchmann Galerie.
The following interview was originally published by The Seen in May, 2017. Based in Berlin, German artist Bettina Pousttchi is known for her work in sculpture and photography, teasing out the politics of perception, particularly as it emerges through institutionalized structures—whether the exterior of… +
Astrophil Press and Editor duncan b. barlow published a long-form version of my cat essay, The Strangers Among Us in 2017. “The Strangers Among Us is a beautifully written exploration into the human obsession with cats and cat-like behavior. Picard makes use of philosophy, art… +
The following interview was originally published by Art21 in February, 2017. The survey publication presents complex questions: what to highlight and what to discard? And, perhaps more importantly: how does one communicate one’s self to future audiences? Hans Ulrich Obrist Hear Us (Black Dog Publishing and… +