Non-Fiction

Kerry James Marshall // Profile of the Artist

04/28/2016
Kerry James Marshall // Profile of the Artist
Kerry James Marshall, The Actor Hezekiah Washington as Julian Carlton Taliesen Murderer of Frank Lloyd Wright Family, 2009. Hudgins Family NY. © Kerry James Marshall. Courtesy of the artist and Jack Shainman Gallery, New York.
“We are not, as we sometimes like to imagine, independent thinkers with our own unique & groovy style of cognition: we have in fact inherited a narrow repertoire of prefab concepts, and we find ourselves thinking as thinking things on highly ramified architectonics of ideas, and along deeply grooved paths of thought-action.” [1]— Karen Houle Kerry James Marshall has... +

The Sensation of Un-thought Thoughts: An Interview with Simone Forti

03/24/2016
The Sensation of Un-thought Thoughts: An Interview with Simone Forti
“Thinking with the Body,” a workshop with Simone Forti, at Northwestern University, hosted by the Mary & Leigh Block Museum of Art, in relation to the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s. The workshops were hosted in partnership with Northwestern’s Departments of Art History, Art Theory & Practice, and Performance Studies; the Dance Program; Mellon Dance Studies; and the Poetry & Poetics Colloquium. (Simone Forti)
The following interview was published by Art21 in March, 2016. During a talk organized in conjunction with the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, at Northwestern University’s Mary and Leigh Block Museum of Art, Simone Forti touched on the breadth of her work as a writer, dancer, choreographer, and... +

HYPER-PLURALITIES FOR A NEW BECOMING: THE EXHIBITED BODY IN CONTEMPORARY ART

01/16/2016
HYPER-PLURALITIES FOR A NEW BECOMING: THE EXHIBITED BODY IN CONTEMPORARY ART
Barkley L. Hendricks, 
Lawdy Mama, 1969
, Oil and gold leaf on canvas, 
53 3/4 x 36 1/4 in; 
The Studio Museum in Harlem, Gift of Stuart Liebman, in memory of Joseph B. Liebman, 83.25; © Barkley L. Hendricks; Photo: Courtesy of the artist and Jack Shainman Gallery, New York; Exhibited in Witness: Art and Civil Rights in the Sixties at the Blanton Museum of Art, Texa
The following article was originally published by Artslant on January 16, 2015. “The body is always a body that is an unfinished entity.” —Lisa Blackman, The Body (Key Concepts), Berg, 2008 “We have a whole history of representation in which the black body was not the privileged body,” Kerry James Marshall said in an interview a few years ago. “So there was no crisis of representation for me, because the black figure is underrepresented.” Marshall has patiently, and... +

LIFE IN THE ANTHROPOCENE: ENVIRONMENTAL EXHIBITIONS FOR THE HUMAN EPOCH

01/06/2016
The following article was originally published by Artslant on January 6, 2015. I go back and forth between feeling like Anthropocene is a buzzword for contemporary hysteria—our generation's equivalent to the Cold War—and recognizing it as a practical reality. Either way it is the nexus point between published facts and our dogged consumerist lifestyles: we live in the 6th Great... +