Writing

Bettina Pousttchi // The Shifting Politics Of Material Perception

Bettina Pousttchi, Echo, 2009–2010. 970 paper posters on the facade of Temporäre Kunsthalle Berlin. 11 x 20 57 m / 36 x 66 x 187 ft. Courtesy the artist and Buchmann Galerie.

The following interview was originally published by The Seen in May, 2017. Based in Berlin, German artist Bettina Pousttchi is known for her work in sculpture and photography, teasing out the politics of perception, particularly as it emerges through institutionalized structures—whether the exterior of… +

Strangers Among Us

Astrophil Press and Editor Duncan Barlow published a long-form version of my cat essay, The Strangers Among Us in 2017. Find it here. There was a nice write up in Cleaver Magazine that compares the text to Eileen Myles’ dog memoir, Afterglow. “In two recent books, by… +

The Brevity of Space: An Interview with Allison Glenn

Amanda Williams, Crown Royal Purple from Color(ed) Theory, Billboard located at 1130 E 63rd Street, Chicago, June 6 – July 11, 2016, as part of In the beginning, sometimes I left messages in the street, curated by Allison Glenn.

The following interview was originally published by Art21 in December, 2016. In the spring of 2016, Allison Glenn curated In the beginning, sometimes I left messages in the street, an exhibition that featured eleven artists and artist collectives who installed works at ten different sites across the city… +

The Variations of its Shadows: An Interview with Jorge Méndez Blake

Jorge Méndez Blake. Todos los guiones de Dickinson IV (Poemas 392-530) / All of Dickinson’s Hyphens IV (Poems 392-530), (Detalle / Detail) 2016. Acrílico sobre lino / Acrylic on linen; 320 x 240 cm. Courtesy of the artist.

The following interview was originally published by Art21 in November of 2016. Every book creates a world, a place that readers enter through language on the first page, and inhabit thereafter, as the text’s unique character compounds in an individual’s imagination. This happens with… +