The following interview was originally published by Art21 in June, 2016. “It doesn’t always start with a suitcase. Sometimes things begin with the wrong book. Berlin meant boys, Isherwood said. Fifty years after his adventures among proletarian toughs, Berlin meant white boys who wanted… +
The following review appeared in Artforum in May, 2016. Curated by Solveig Øvstebø, “Between the Ticks of the Watch” explores fault lines within conventional thought through the work of Kevin Beasley, Peter Downsbrough, Goutam Ghosh, Falke Pisano, and Martha Wilson. In Posturing, 1973/2008, one among a suite of self-portrait photographs… +
“We are not, as we sometimes like to imagine, independent thinkers with our own unique & groovy style of cognition: we have in fact inherited a narrow repertoire of prefab concepts, and we find ourselves thinking as thinking things on highly ramified architectonics of… +
“Thinking with the Body,” a workshop with Simone Forti, at Northwestern University, hosted by the Mary & Leigh Block Museum of Art, in relation to the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s. The workshops were hosted in partnership with Northwestern’s Departments of Art History, Art Theory & Practice, and Performance Studies; the Dance Program; Mellon Dance Studies; and the Poetry & Poetics Colloquium. (Simone Forti)
The following interview was published by Art21 in March, 2016. During a talk organized in conjunction with the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, at Northwestern University’s Mary and Leigh Block Museum of Art, Simone Forti touched on the breadth… +