The following review was originally published by Southwest Contemporary in March 2020. The gallery is partially bisected by a chain-link fence. Three pairs of children’s shoes hang on or sit near it. A few rosary necklaces and beaded bracelets are tied to the fence… +
The following bio-comic about Agnes Pelton appeared in Hyperallergic in March 2020.
The following article appeared in Visual Art Source in March 2020. Whether purchasing anything wrapped in plastic, taking a flight, building a petrochemical plant, or drilling in an Arctic Refuge, it’s hard to connect seemingly discrete actions in one part of the world to… +
The following review appeared in Artforum in March 2020. In his latest body of work, José Sierra presents thirteen large anthropomorphic vessels that combine sculpture, painting, and ceramic techniques. Their varying surface textures and distilled vocabulary of geometric marks and colors (saturated lemon yellows,… +
The following story was originally published by Oyez Review in March 2020. “Your father always made a lot of money,” Mother says, “but the job he was most proud of was the first. He came from nothing, he said — remember how he loved saying so… +