The following interview was originally published by Art21 in July, 2016. In 2015, Black Dog Publishing released A. Laurie Palmer’s book, In the Aura of a Hole: Exploring Sites of Material Extraction, which documents multiple visits the artist made to sites of industrial extraction around the… +
The following interview was originally published by Art21 in June, 2016. “It doesn’t always start with a suitcase. Sometimes things begin with the wrong book. Berlin meant boys, Isherwood said. Fifty years after his adventures among proletarian toughs, Berlin meant white boys who wanted… +
“Thinking with the Body,” a workshop with Simone Forti, at Northwestern University, hosted by the Mary & Leigh Block Museum of Art, in relation to the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s. The workshops were hosted in partnership with Northwestern’s Departments of Art History, Art Theory & Practice, and Performance Studies; the Dance Program; Mellon Dance Studies; and the Poetry & Poetics Colloquium. (Simone Forti)
The following interview was published by Art21 in March, 2016. During a talk organized in conjunction with the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s, at Northwestern University’s Mary and Leigh Block Museum of Art, Simone Forti touched on the breadth… +
Philippe Parreno. Installation view of Anywhere, Anywhere, Out of the World, Palais de Tokyo, 2013. Philippe Parreno. How Can We Know the Dancer from the Dance?, 2012. Courtesy Esther Schipper Gallery. Photo: Aurélien Mole.
The following review was originally published in Art21 in June, 2014. In the first week of January, I found myself in Paris. It was raining and we had just walked down the Champs Élysées, where endless streams of vendors sold funnel cake, crêpes, spätzle,… +
Heather Mekkelson. “Limited Entry,” 2008. Mixed media (soaked in clay slurry, particulates added, sealed). Old Gold, Chicago, IL. Courtesy of the artist.
The following essay was originally published in Art21 in May, 2013. It was the summer of 2008. It was hot. And humid. Everything was green and/or sweating. People who didn’t sweat stood out. Their reserve both enviable and mysterious—a contrast from everything else. Refuge… +