Posts tagged "Artslant"

LIFE IN THE ANTHROPOCENE: ENVIRONMENTAL EXHIBITIONS FOR THE HUMAN EPOCH

01/06/2016
The following article was originally published by Artslant on January 6, 2015. I go back and forth between feeling like Anthropocene is a buzzword for contemporary hysteria—our generation's equivalent to the Cold War—and recognizing it as a practical reality. Either way it is the nexus point between published facts and our dogged consumerist lifestyles: we live in the 6th Great... +

Anastasia Samoylova: On Facebook Everyone Is On Holiday

12/06/2014
Anastasia Samoylova: On Facebook Everyone Is On Holiday
Anastasia Samoylova: On Facebook Everyone Is On Holiday

The following article was originally published by Artslant on December 4, 2014.

Anastasia Samoylova does not go out into summer fields when she begins a new work of landscape photography. She goes online, haunting public domain photosites for images of picturesque landscapes: sunsets, waterfalls, forests, oceans, and flowers. Despite the seductive vistas each calendar image portrays, they are so common they become redundant. “I’m almost monumentalizing them in... +

Untitled: an interview with Xaviera Simmons

11/19/2014
The following interview was originally published in Artslant, in 2014. Xaviera Simmons is a New York-based artist whose practice manifests in performance, photography, sculpture, installation, sound, video, and more. That dynamic interdisciplinary material is fueled by research, contemplation, and feeling, three modes that enable Simmons to not only reflect the complexity of the human condition but also empathize with it. No subject would seem unconquerable: she tackles... +

Clouded Points of Access: Phantoms in the Dirt at the Museum of Contemporary Photography

08/06/2014
Clouded Points of Access: Phantoms in the Dirt at the Museum of Contemporary Photography
Greg Stimac, Santa Fe to Billings, 2009, Archival pigment print; © Collection of Museum of Contemporary Photography, 2009.347
Clouded Points of Access: Phantoms in the Dirt at the Museum of Contemporary Photography
Arthur Ou, Untitled (Mountain), 2007, Archival pigment print on rag paper; Courtesy of the artist and Brennan & Griffin, New York
This article was originally published by Artslant on August 9, 2014. What first reads like an astral constellation is in fact a photograph whose blackness is broken only by the erratic swarm of dead insect bodies. Greg Stimac’s Santa Fe to Billings (2009) documents the choreography of the countless lives his windshield intersected on a drive between locales. The momentum of each smash is evident—guts smear and spray across the surface, recording innumerable tiny accidents. To... +