This article was originally published by Fabrik in February 2018. In Hương Ngô’s latest exhibition, Reap The Whirlwind, the artist samples archival documents, vintage pulp novels, film sequences and historic postcards to recover representations of Indochinese women. Using distinct material reproduction techniques, Ngô questions the politics… +
The following article was first published by The Seen in December 2018. Currently on view at Monique Meloche Gallery is new work by Ebony G. Patterson, …for those who bear/bare witness…, a solo show that explores the slip between human visibility and invisibility within our societal and material conditions. Patterson’s… +
The following article was first published by the Chicago Reader in November, 2018. Chicago isn’t immediately associated with technology’s vanguard in the popular imagination. But Gallery 400’s current exhibition, “Chicago New Media 1973-1992,” focuses on the city’s contribution to new media history through a broad installation… +
The following article was first published by The Seen in September 2018. Adrian Piper: A Synthesis of Intuitions 1965– 2016 collects nearly 300 individual works of the artist’s work, beginning with late-adolescent paintings, to more recent reflections on the Black Lives Matter movement. What emerges from… +
The following article was originally published by The Seen in September, 2017. In a sense, the Western World presumes to be (always) learning from Athens, espousing Ancient Greece as its point of origin and thereafter presuming a complex blend of familiarity, ownership, and admiration…. +