Posts tagged "Reviews"

After the Hot Mess: Philippe Parreno at the Palais de Tokyo

06/24/2014
After the Hot Mess: Philippe Parreno at the Palais de Tokyo
Philippe Parreno. Installation view of Anywhere, Anywhere, Out of the World, Palais de Tokyo, 2013. Philippe Parreno. How Can We Know the Dancer from the Dance?, 2012. Courtesy Esther Schipper Gallery. Photo: Aurélien Mole.
The following review was originally published in Art21 in June, 2014. In the first week of January, I found myself in Paris. It was raining and we had just walked down the Champs Élysées, where endless streams of vendors sold funnel cake, crêpes, spätzle, pretzels, paella, beer, wine, glögg, roasted nuts, chocolate, plastic mobile-phone cases, stuffed animals,... +

Heather Mekkelson: The Flood that Never Came

05/24/2013
Heather Mekkelson: The Flood that Never Came
Heather Mekkelson. “Limited Entry,” 2008. Mixed media (soaked in clay slurry, particulates added, sealed). Old Gold, Chicago, IL. Courtesy of the artist.
The following essay was originally published in Art21 in May, 2013. It was the summer of 2008. It was hot. And humid. Everything was green and/or sweating. People who didn’t sweat stood out. Their reserve both enviable and mysterious—a contrast from everything else. Refuge from the heat was similarly impressive and constantly sought. Most apartment galleries were barely tolerable for... +

Sorry for Being a Genius: Aida Makoto at the Mori Art Museum

02/28/2013
Sorry for Being a Genius: Aida Makoto at the Mori Art Museum
Aida Makoto, Picture of Waterfall, 2007-10, Acrylic on canvas, 439 x 272 cm.; Collection: The National Museum of Art, Osaka / Courtesy: Mizuma Art Gallery
This article was originally published by Artslant on Feb 28, 2013. "There is no more chastity in the Young-Girl than there is debauchery. The Young-Girl simply lives as a stranger to her desires, whose coherence is governed by her market-driven superego." —Tiqqun,Preliminary Materials for a Theory of a Young-Girl, 2012 Aida Makoto's retrospective exhibit, “Monument for Nothing,” is a stunning body of work, taking full advantage of its towering exhibition site. The... +