The following interview was originally published by Art21 in February, 2017. The survey publication presents complex questions: what to highlight and what to discard? And, perhaps more importantly: how does one communicate one’s self to future audiences? Hans Ulrich Obrist Hear Us (Black Dog Publishing and… +
Amanda Williams, Crown Royal Purple from Color(ed) Theory, Billboard located at 1130 E 63rd Street, Chicago, June 6 – July 11, 2016, as part of In the beginning, sometimes I left messages in the street, curated by Allison Glenn.
The following interview was originally published by Art21 in December, 2016. In the spring of 2016, Allison Glenn curated In the beginning, sometimes I left messages in the street, an exhibition that featured eleven artists and artist collectives who installed works at ten different sites across the city… +
Jorge Méndez Blake. Todos los guiones de Dickinson IV (Poemas 392-530) / All of Dickinson’s Hyphens IV (Poems 392-530), (Detalle / Detail) 2016. Acrílico sobre lino / Acrylic on linen; 320 x 240 cm. Courtesy of the artist.
The following interview was originally published by Art21 in November of 2016. Every book creates a world, a place that readers enter through language on the first page, and inhabit thereafter, as the text’s unique character compounds in an individual’s imagination. This happens with… +
The following catalogue essay was published for Selina Trepp’s exhibition, Do you have cents for nonsense? I have cents for sensitive, at Cleve Carney Gallery, Oct 10-Nov 19 2016. The floor of Selina Trepp’s studio looks like it might have been white once when it… +
The following interview was originally published by Art21 in October, 2016. Although the seminars of “Anthropocene Campus: The Technosphere Issue” at Haus der Kulturen der Welt (HKW) in Berlin took place months ago (April 14–22, 2016), conversations and collaborations continue to develop and spill… +