This article was originally published by Artslant on Feb 28, 2013.
"There is no more chastity in the Young-Girl than there is debauchery. The Young-Girl simply lives as a stranger to her desires, whose coherence is governed by her market-driven superego." —Tiqqun,Preliminary Materials for a Theory of a Young-Girl, 2012
Aida Makoto's retrospective exhibit, “Monument for Nothing,” is a stunning body of work, taking full advantage of its towering exhibition site. The... +
The following interview was originally published in Art21 in January, 2013.
I was down at the Hyde Park Art Center this last December. The doors to the main gallery on the first floor were closed when I arrived but I could sense movement behind them; a crack of light beneath the door was regularly interrupted by shadows, making me... +
The following essay was originally published by Art21 in November, 2012.
Walter Benjamin allegedly had an opportunity to leave Germany when Axis borders were still somewhat porous. Had he chosen to flee then, it’s likely he would have survived the war. To do so, however, he would have had to abandon his personal library and for that reason chose to stay behind. While I’ve wondered what books... +
Kerry James Marshall’s studio stands two-stories high in the Bronzeville neighborhood, on Chicago’s South Side. From the street, it is non-descript, more like a very tall, brick garage than anything else; there are hardly any windows. It boasts a green lawn and stands near a new crop of condos; down the same street are... +