Jorge Méndez Blake. Todos los guiones de Dickinson IV (Poemas 392-530) / All of Dickinson’s Hyphens IV (Poems 392-530), (Detalle / Detail) 2016. Acrílico sobre lino / Acrylic on linen; 320 x 240 cm. Courtesy of the artist.
The following interview was originally published by Art21 in November of 2016. Every book creates a world, a place that readers enter through language on the first page, and inhabit thereafter, as the text’s unique character compounds in an individual’s imagination. This happens with… +
The following catalogue essay was published for Selina Trepp’s exhibition, Do you have cents for nonsense? I have cents for sensitive, at Cleve Carney Gallery, Oct 10-Nov 19 2016. The floor of Selina Trepp’s studio looks like it might have been white once when it… +
The following interview was originally published by Art21 in October, 2016. Although the seminars of “Anthropocene Campus: The Technosphere Issue” at Haus der Kulturen der Welt (HKW) in Berlin took place months ago (April 14–22, 2016), conversations and collaborations continue to develop and spill… +
Paolo Soleri (b. 1919, Turin, Italy; died 2013, Paradise Valley, AZ). Amphitheater, c. 1975. Commissioned by the Lloyd Kiva New for Institute of American Indian Arts, 1964. Image courtesy of the IAIA Archives, Santa Fe
Originally published by The Seen, Sept 2016. SITE Santa Fe stands close to the downtown historic district of the city, beside train tracks and Warehouse 21, a haven for artistic youth. Contextualized by a landscape that originally belonged (and still partially belongs) to Native Americans,… +
The following interview was originally published by Art21 in July, 2016. In 2015, Black Dog Publishing released A. Laurie Palmer’s book, In the Aura of a Hole: Exploring Sites of Material Extraction, which documents multiple visits the artist made to sites of industrial extraction around the… +