Philippe Parreno. Installation view of Anywhere, Anywhere, Out of the World, Palais de Tokyo, 2013. Philippe Parreno. How Can We Know the Dancer from the Dance?, 2012. Courtesy Esther Schipper Gallery. Photo: Aurélien Mole.
The following review was originally published in Art21 in June, 2014. In the first week of January, I found myself in Paris. It was raining and we had just walked down the Champs Élysées, where endless streams of vendors sold funnel cake, crêpes, spätzle,… +
The following interview was originally published by Artslant on April 6, 2014. Xaviera Simmons is a New York-based artist whose practice manifests in performance, photography, sculpture, installation, sound, video and more. That dynamic interdisciplinary material is fueled by research, contemplation and feeling, three modes… +
The following interview appeared on Bad at Sports and Daily Serving in December, 2013. Singapore-based artist Robert Zhao Renhui is the Institute of Critical Zoologists, an organization that, for any Doctor Who fans out there, would be the environmental analogue to the Torchwood Institute. The… +
The following interview was originally published by Artslant on September 16, 2013. When I came to Chicago in 2004, Goat Island was a prominent feature in the performance art landscape. Its reputation extended beyond the Midwest, across the ocean to Europe. The group began… +
“Field Static”, Installation view, Co-Prosperity Sphere, Chicago, IL. Photo by Clare Britt.Stephen Lapthisphon, “Taxonomy of Root Vegetables”, 2012. Installation view, Co-Prosperity Sphere, Chicago, IL. Photo by Clare Britt.Ellen Rothenberg, “Constellation”, 2012. Installation view, Co-Prosperity Sphere, Chicago, IL. Photo by Ryan Weber.
June 2nd – June 13th, 2012 at the Co-Prosperity Sphere .:. 3219 South Morgan Street Chicago, IL 60608 Featuring the work of Ellen Rothenberg, Mark Booth, Stephen Lapthisophon, Heather Mekkelson, Christian Kuras and Duncan MacKenzie, Carrie Gundersdorf, Justin Cabrillos, and Rebecca Mir. Field Static examines… +