Posts tagged "the seen"

Kerry James Marshall // Profile of the Artist

04/28/2016
Kerry James Marshall // Profile of the Artist
Kerry James Marshall, The Actor Hezekiah Washington as Julian Carlton Taliesen Murderer of Frank Lloyd Wright Family, 2009. Hudgins Family NY. © Kerry James Marshall. Courtesy of the artist and Jack Shainman Gallery, New York.
“We are not, as we sometimes like to imagine, independent thinkers with our own unique & groovy style of cognition: we have in fact inherited a narrow repertoire of prefab concepts, and we find ourselves thinking as thinking things on highly ramified architectonics of ideas, and along deeply grooved paths of thought-action.” [1]— Karen Houle Kerry James Marshall has... +

HYPER-PLURALITIES FOR A NEW BECOMING: THE EXHIBITED BODY IN CONTEMPORARY ART

01/16/2016
HYPER-PLURALITIES FOR A NEW BECOMING: THE EXHIBITED BODY IN CONTEMPORARY ART
Barkley L. Hendricks, 
Lawdy Mama, 1969
, Oil and gold leaf on canvas, 
53 3/4 x 36 1/4 in; 
The Studio Museum in Harlem, Gift of Stuart Liebman, in memory of Joseph B. Liebman, 83.25; © Barkley L. Hendricks; Photo: Courtesy of the artist and Jack Shainman Gallery, New York; Exhibited in Witness: Art and Civil Rights in the Sixties at the Blanton Museum of Art, Texa
The following article was originally published by Artslant on January 16, 2015. “The body is always a body that is an unfinished entity.” —Lisa Blackman, The Body (Key Concepts), Berg, 2008 “We have a whole history of representation in which the black body was not the privileged body,” Kerry James Marshall said in an interview a few years ago. “So there was no crisis of representation for me, because the black figure is underrepresented.” Marshall has patiently, and... +

Hamburger Bahnhof // Finding Black Mountain: A Working Model For Sensible Members of Society

09/28/2015
Hamburger Bahnhof // Finding Black Mountain: A Working Model For Sensible Members of Society
Exhibition: “Black Mountain, An Interdisciplinary Experiment 1933-1957“ at the Hamburger Bahnhof—Museum für Gegenwart—Berlin. / Von links: Cy Twombly: Untitled, 1951. / Robert Rauschenberg: Pink Door, 1954. / © Nationalgalerie im Hamburger Bahnhof, SMB / Thomas Bruns.
Hamburger Bahnhof // Finding Black Mountain: A Working Model For Sensible Members of Society
Exhibition: “Black Mountain, An Interdisciplinary Experiment 1933-1957“ at the Hamburger Bahnhof—Museum für Gegenwart—Berlin. Photo: Hazel Larsen Archer: Elizabeth Schmitt Jennerjahn und Robert Rauschenberg dancing, ca. 1948. / Cy Twombly, Untitled, 1951. / Robert Rauschenberg: Pink Door, 1954. / Robert Rauschenberg: Untitled (Black Painting), 1952. / © Nationalgalerie im Hamburger Bahnhof, SMB / Thomas Bruns.
The following article was originally published by The Seen in September, 2015. The idea of Black Mountain College has baited my imagination since it first emerged into my experience—an accidental and auxiliary reference—from the otherwise vast sea of culture. The college came up periodically thereafter, breaching conversations as a peripheral point of reference, its significance intuited rather... +

Made Not Begotten: Robert Mapplethorpe // Grand Palais

07/03/2014
Made Not Begotten: Robert Mapplethorpe // Grand Palais
Robert Mapplethorpe, Belly Button, 1986.
Originally published by The Seen, July 2014. “…Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Wombed in sin darkness I was too, made not begotten. By them, the man with my voice and my eyes and a ghostwoman with ashes on her breath. They clasped and sundered, did the coupler’s will.” — James Joyce, Ulysses, Episode Three,... +