The following article was originally published by Visual Art Source in February 2022. Networked Nature is on view at the Thoma Foundation Art Vault from April 2021-April 2022. Networked Nature, a group exhibition curated by Jason Foumberg, begins with “tx-mirror” (2018) by Martin Reinhart… +
Left to right and foreground: Marie Alarcón, Non (Know Them), 2021, fiberglass mesh, organza, tulle, embroidery, shadows, copper pipe; Non (The World Ends), 2021, fiberglass mesh, organza, velvet, tulle, beads, embroidery, shadows, copper pipe; Unnamable (Don’t Come), 2021, plastic bags, synthetic hair, embroidery thread. Courtesy Roswell Museum.
This article was originally published by Southwest Contemporary in February 2022. Marie Alarcón: Relocations January 15-February 27, 2022 Roswell Museum, Roswell, New Mexico Reflecting upon the uncertain world of climate change and the call for environmental justice, current Roswell artist-in-residence Marie Alarcón, who uses they/them pronouns,… +
Jonas Wood, “Arrested Motion,” 2013, oil and acrylic on canvas
This article was originally published in the December 2021, Issue #6 of The Democracy Chain. I live in a garden. The garden is the pastime of my landlord who spends the warmer months of each year tinkering, inspecting his grounds. The garden keeps him… +
The following article was originally published by The Democracy Chain in October 2021. We stand on the cusp of the 2021 United Nations Climate Change Conference (COP26) as this is being written. Senator Joe Manchin fights to retain fossil fuel subsidies in President Biden’s… +
Oswaldo Maciá, Cartographies of Smell Migration, 2021, installation view at SITE Santa Fe Photo: Oswaldo Maciá. Courtesy the artist.
The following article was originally published by Southwest Contemporary. “I am an artist always on the move,” said Oswaldo Maciá days before the opening of his first exhibition in the United States, New Cartographies of Smell Migration. “My canvas is the whole planet.” We sat in the… +