The following review appeared in Visual Art Source in April 2020. Jacquelyn Royal’s landscape needlepoints, titled “The New Police,” center on graffiti in order to explore the authenticity of mark making and the record it leaves. Comprised of stitched panels between 15 by 18… +
The following review was originally published by Southwest Contemporary in March 2020. The gallery is partially bisected by a chain-link fence. Three pairs of children’s shoes hang on or sit near it. A few rosary necklaces and beaded bracelets are tied to the fence… +
The following bio-comic about Agnes Pelton appeared in Hyperallergic in March 2020.
The following article appeared in Visual Art Source in March 2020. Whether purchasing anything wrapped in plastic, taking a flight, building a petrochemical plant, or drilling in an Arctic Refuge, it’s hard to connect seemingly discrete actions in one part of the world to… +
The following review appeared in Artforum in March 2020. In his latest body of work, José Sierra presents thirteen large anthropomorphic vessels that combine sculpture, painting, and ceramic techniques. Their varying surface textures and distilled vocabulary of geometric marks and colors (saturated lemon yellows,… +