The following interview was originally published by Artslant on September 16, 2013. When I came to Chicago in 2004, Goat Island was a prominent feature in the performance art landscape. Its reputation extended beyond the Midwest, across the ocean to Europe. The group began… +
Heather Mekkelson. “Limited Entry,” 2008. Mixed media (soaked in clay slurry, particulates added, sealed). Old Gold, Chicago, IL. Courtesy of the artist.
The following essay was originally published in Art21 in May, 2013. It was the summer of 2008. It was hot. And humid. Everything was green and/or sweating. People who didn’t sweat stood out. Their reserve both enviable and mysterious—a contrast from everything else. Refuge… +
The following interview was originally published by Artslant on April 28, 2013 Guy Ben-Ner began with an idea. He wanted to divorce a soundtrack from a film, then make a new film that accommodated the appropriated soundtrack. The idea provided a mechanism, defining the… +
The following article was originally published by art ltd., in March 2013. One would never suspect that Jessica Stockholder’s ivy-covered studio was originally a barn. The one-story building on the edge of the University of Chicago’s predominantly Gothic-style campus has high ceilings inside, skylights,… +
Aida Makoto, Picture of Waterfall, 2007-10, Acrylic on canvas, 439 x 272 cm.; Collection: The National Museum of Art, Osaka / Courtesy: Mizuma Art Gallery
This article was originally published by Artslant on Feb 28, 2013. “There is no more chastity in the Young-Girl than there is debauchery. The Young-Girl simply lives as a stranger to her desires, whose coherence is governed by her market-driven superego.” —Tiqqun,Preliminary Materials for a… +